A theory: if we live in a simulation, it requires a complete DNA of all human cultural output to generate convincing reality. But once in a while, a piece of music arrives that contains something the simulation never anticipated — something that broke the model, that could only have come from a living, suffering, laughing, terrified human being.
Paste a YouTube link. I'll analyse it against the simulation thesis — musical history, cultural DNA, biographical context — and give a verdict: could this have been made by an AI?